Stormhammer – Welcome to the End Review

Welcome to the End is a solid album which features a nice blend between speedy, melodic power metal and some aggressive thrash riffs...

Released By: Massacre Records

Release Date: March 24th, 2017

Genre: Power Metal




Jürgen Dachl – Vocals

Manny “Maniac” Ewender – Guitars

Bernd Intveen – Guitars

Horst Tessmann – Bass

Chris Widmann – Drums



1. The Beginning of the End

2. Northman

3. Welcome to the End

4. The Heritage

5. Secret

6. The Law

7. Watchmen

8. Road to Heaven

9. My Dark Side

10. Into the Night

11. Spirit of the Night

12. Soul Temptation

13. The Awakening

14. Black Dragon


Even as a huge fan of the genre, there are always going to be some bands I miss along the way, one such example being German power metal band Stormhammer, who I hadn’t heard of until their 2015 release Echoes of a Lost Paradise, despite the band being around for over two decades up to that point, and having released four albums previously. That release was fairly solid, if a bit standard at times, and I found the heavier moments were generally the most interesting, and that proves to be even more the case on their upcoming sixth full-length release, Welcome to the End, another solid release that shows potential towards being excellent at times, but doesn’t quite get there.

I don’t remember too much about Echoes of a Lost Paradise, except that it was a fairly heavy power metal album at times, and that the riffs tended to be the most memorable parts of the tracks. Welcome to the End is similar in that regard, though I find it does have more memorable songs overall and it has a nice variety between tracks. This is very much on the harder hitting side of power metal for most of the album, and it also has occasional elements of classic heavy metal on some tracks, and obviously there’s quite a bit of thrash influence in the guitar work at times. The vocal melodies are solid, though I find the best tracks are the ones that strike a nice balance between the thrash riffs and big melodic power metal choruses, and those tracks tend to be excellent. Otherwise, the instrumental work is solid all around and the production is solid, though not a lot stands out on the slower and less aggressive tracks.

Vocally, Jürgen Dachl does a pretty solid job throughout and he can vary his voice quite a bit. He usually sounds a bit rough, but with a powerful voice that fits the music well, and he can do a very good job of carrying the more melodic sections and choruses. Sometimes he sings with a really deep voice that sounds a bit cheesy, though it still works in a weird kind of way. There are also many sections where he reminds me a bit of Hansi Kürsch, except his voice sounds a bit rougher and not quite as smooth. I especially notice this on “Watchmen”, which is probably my favorite track on the album, and the track where I think Jürgen sounds at his best.

The songwriting is where the album struggles a little bit, though it’s still mostly good. Opening track “Northman” is a solid track that I wouldn’t call overly speedy, though it moves along at a decent pace and it has some good thrashy riffs and powerful vocals. Next is the title track, a rather slow to mid-paced track which has more of those thrashy riffs during the verses and very deep vocals, though for me this track kinda drags for the most part, with only the fast paced and fun chorus being particularly enjoyable. Following that is “The Heritage”, one of the more heavy metal influenced tracks on the album. It starts off with a calm, slower passage before speeding up a bit and leading to a section with solid backing vocals from guest Natalie Pereira dos Santos, and then the chorus has a very melodic guitar line that feels straight out of a classic heavy metal track and is actually the highlight of the track. A very solid track on the whole, with some obvious Iron Maiden influence.

The rest of the album mostly varies between the three different styles, though the power metal elements are the most prevalent throughout. Some of my favorites include “Watchmen”, a mostly mid-paced track with some very thrashy riffs during the verses and a very catchy addictive chorus, “Soul Temptation”, one of the faster paced tracks and one where the thrash elements dominate during the verses and the chorus is very melodic, and the speedy, classic power metal tracks “Road to Heaven” and “The Law”. The latter of these is the longest song on the album and has a very epic feel to me, as well as one of the best choruses on the album. The only track I’m not overly fond of is “My Dark Side”, a power ballad where Jürgen uses his deeper vocals, but while they work fine elsewhere, here they sound comically bad and feel terribly out of place, which brings the track down. The chorus is actually quite good, but those deep vocal sections are just very strange and off-putting. The rest of the tracks are solid, if unremarkable, with “Black Dragon” in particular being a little bit underwhelming for a closing track. It has a nice chorus, but otherwise, it just feels a bit bland and forgettable.

Overall, Welcome to the End is a solid album which features a nice blend between speedy, melodic power metal and some aggressive thrash riffs, along with occasional heavy metal elements. It has a couple weaker tracks and I wouldn’t consider it an album of the year contender or anything, but it’s still a solid album overall and one I’d recommend to power metal fans looking for something a bit heavier and who don’t require all songs to be really fast. Hopefully, Stormhammer can develop this sound further on future releases and produce something even better in the future.


Reviewer: Travis Green

Rating: 7/10


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