Released By: AFM Records
Release Date: November 10th, 2017
Genre: Power/Folk Metal
Damna – Vocals
Aydan – Guitars
Rafahel – Guitars
Jakob – Bass
Lethien – Violin
Lancs – Drums
1. Invoking the Woodland Spirit
2. Draugen’s Mealstrom
3. The One We Shall Follow
4. The Horned Ghost and the Sorcerer
5. A Grain of Truth
6. The Wolves Will Be Howling Your Name
7. 3 Ways to Magick
8. Straight Inside Your Winter
9. The Voynich Manuscript
10. Summon the Dawn Light
11. At the Court of the Wild Hunt
12. A Cloak of Dusk
Being a huge power metal fan, and someone who likes it equally when in its purest form and when mixed with other genres, one of my absolute favorite genre combinations is power/folk metal, a style which has sadly not been done a lot in recent years, but the best band in the style continues to go strong. Of course, I’m talking about Italian band Elvenking, who stormed onto the scene with their incredible debut Heathenreel in 2001, and they haven’t let up ever since. The band has managed to come up with a very diverse sound while sticking with their two main genres, and they’ve certainly surprised folks throughout their career, sometimes going for a more aggressive, almost metalcore sound, sometimes completely toning down the power metal in favor of pure folk, and sometimes striking a near perfect balance between the two. Their previous release, The Pagan Manifesto felt like their best and most perfectly balanced release to date, serving as a perfect summary of everything the band is capable of, so I had high expectations for their next release. Three and a half years later, they’re back with their ninth full-length album Secrets of the Magick Grimoire, and if its predecessor felt like a mission statement, this release feels like the band continuing to execute that mission to near perfection.
Compared to past releases, Secret of the Magick Grimoire doesn’t feel like a big departure from previous albums. Many times in their career, just when it seemed like their fans had them figured out, Elvenking would manage to surprise them, with no release sounding very similar to the previous release. However, after The Pagan Manifesto managed to be such a perfect blend of everything the band had done before, it really felt like they didn’t have much room to develop their sound further, and so it’s no surprise this album feels like a direct continuation. What this means is, anyone who loved the previous album is almost certainly going to love this album as well, as the band has once again struck the perfect balance between speedy power metal, epic folk melodies, huge choruses, heavy riffs, occasional sections with harsh vocals and huge symphonic arrangements at times. Basically, everything the band has done on previous albums is here in full force and executed just as brilliant as always. I thought the songwriting on The Pagan Manifesto was both extremely varied yet consistently perfect, and aside from a couple tracks in the middle that don’t quite seem up to par with the rest, Secrets of the Magic Grimoire follows suit. There’s a nice mix of more straight-forward power metal, more relaxing tracks that put extra emphasis on the folk elements, tracks that strike a perfect blend between the two, alternating between heavy, fast-paced sections and calmer, more folk-infused sections, and even a couple full symphonic power metal epics where the band dials everything up to 11. As with the previous album, the band has struck a nice balance between having a polished sound, and some excellent musicianship, including some excellent solos, while also having a raw energy to the music, with very high energy performances all around.
Another area where the band has always excelled is the vocals, and of course, Damna is as great here as he’s ever been. As always, he has a unique delivery that sounds a bit rawer and a bit more wild compared to a typical power metal vocalist, and he brings a certain kind of passion and intensity to the songs that fit the music perfectly. He uses some surprisingly deep and creepy sounding vocals on this album at times, as well as the occasional softer vocals, as usual. There’s also the occasional use of harsh vocals. These are very good and are used quite a few times, though they’re often kept in the background, adding extra flavor to the songs without getting in the way of Damna’s always stellar lead vocals.
In the songwriting department, while I wouldn’t quite put this album on the same level as its predecessor, it’s still a consistently satisfying release, with several songs that do reach the masterpiece status of the band’s career high point, while even the couple exceptions are still excellent tracks in their own right, which simply don’t quite blow me away as much as the others. The album gets off to an amazing start with “Invoking the Woodland Spirit”, a track which only clocks in at a little over 6 minutes, but it definitely feels like an epic, as orchestral elements are in full effect, and it’s a very fast-paced, super epic symphonic power metal track with slight folk leanings. It’s definitely on par with some of the band’s absolute best work to date, with the verses being fast-paced and very engaging, while the chorus is absolutely phenomenal, and the guitar solo in the second half is very melodic and very impressive as well. Overall, it’s the kind of track where it feels like the band went all out and delivered one of their absolute best songs to date. Following that incredible opener is the lead single “Draugen’s Maelstrom”, another fairly speedy track, which has an excellent lead guitar melody and again has fun, energetic verses to go along with an insanely catchy chorus, where some death growls are used nicely in support of Damna’s lead vocals, and it makes for a pretty cool effect. The instrumental section gets really speedy and intense and is a definite high point of the album. Overall, another instant winner, and of the band’s best singles, for sure.
Following such an impressive opening, the remainder of the album mostly follows suit, with other early highlights including “The One We Shall Follow”, a slower track with some excellent melodies, more symphonic elements, epic choir vocals and another fantastic chorus, as well as the second single “The Horned Ghost and the Sorcerer”, a mid-paced, folk-infused track which again has some incredible melodies, fun verses and perhaps the catchiest chorus on the album. It definitely brings to mind “Pagan Revolution” from the previous album and is almost as fun and catchy as that song, with the folk melodies perhaps being even better than on that track, and it’s definitely another excellent choice for a single. It has an excellent softer section in the middle where the band uses some tribal drums as well as some epic acoustic folk instrumentation for a bit, and it’s definitely one of the highlights of the album. After those two, we have “A Grain of Truth” a track which has some slower paced, heavier verses, mixes with a speedy chorus where the harsh vocals lead the way. I think the excellent, melodic pre-chorus section is my favorite part of this track, though the chorus is nice as well, and overall it’s one of those tracks that doesn’t quite impress me as much as some of the best on the album, but it’s still very good overall. Rounding out the first half is “The Wolves Will Be Howling Your Name”, a track which blends power and folk metal elements seamlessly and is a fantastic track. It starts off with some epic folk elements and has a nice use of violins throughout. The verses alternate between slow and speedy passages, while the chorus is slow and calm, with some of Damna’s best vocals on the album. The track has some amazing folk melodies throughout and is definitely another highlight.
The second half begins with two very good, but not quite outstanding tracks in “3 Ways to Magick” and “Straight Inside Your Winter”. The former again has a nice blend of power and folk elements and the chorus is amazing, but it feels like it loses focus at times, trying to fit a bit too much into it’s 4 and a half minute runtime, so it ends up not being as memorable as some of the other tracks on the album, while the latter is the slowest full-length song on the album and it has some nice folk melodies and a nice chorus, but it simply doesn’t quite reach the heights many of the other songs reach.
The remainder of the second half, though is perfect and very much represents some of the best music found on the album. First up is “The Voynich Manuscript”, a near 6 and a half minute track, which has a perfect blend between speedy power metal passages and calm folk passages, as well as one of the best choruses on the album, some of the most energetic and exciting verses, and a ton of memorable moments. The music gets darker and more epic in the second half, and from there the song just gets insanely good, with the ending sequence having some of the best harsh vocals on the entire album. Next is “Summon the Dawnlight”, the shortest and most relaxed of the final three full songs, though it’s still fairly fast paced and has some excellent lead guitar melodies and some verses which, while not overly speedy, move along at a nice enough pace and are very fun, while the chorus is simply fantastic as always, and the instrumental section is perhaps the best on the album. The last full song is “At the Courst of the Wild Hunt”, which starts off with a very folk-infused section, featuring some dark and kinda creepy vocals, performed by guest Snowy Shaw, before the track speeds up and turns into another very epic, symphonic power metal track, with another excellent chorus, extremely energetic verses, an amazing middle section where the folk elements appear again, and some nice surprises in the second half. It definitely feels like the band packed a lot into this track, but everything works perfectly and it’s up there with “Invoking the Woodland Spirit” as one of my two favorite songs on the album. Lastly, we have “A Cloak of Dusk”, an acoustic outro which features some nice violin melodies, as well as some of the softest vocals ever performed by Damna. It’s a nice little track which ends the album effectively.
Overall, Secrets of the Magic Grimoire is another outstanding album from Elvenking, which builds off the momentum they gained from their career high point The Pagan Manifesto, and at times even reaches the same level of perfection. I wouldn’t quite put it on the same level as that release on the whole, but it has its moments for sure, and overall it’s another fantastic blend of power and folk metal, with occasional symphonic elements and harsh vocals, as usual. Fans of past Elvenking albums are sure to enjoy this one, especially those who loved the previous release, while anyone looking for a nice blend of power, folk and symphonic metal is highly recommended to give this album a try.
Written by: Travis Green