Released By: Rock of Angels Records
Release Date: Out Now!
Genre: Heavy/Power Metal
R.D. Liapakis – Vocals
Steve Kachinsky – Guitars, Keyboards
Jon Paget – Guitars
Vince Dennis – Bass
John “JT” Tarascio – Drums
- The God Machine
- Thrashed Relentlessly
- Dark Mask (Between Love and Hate)
- Damnation Calling
- Buried and Broken
- Lucifer – The Devil Inside
- Fight, Kill
- Life = Love = God Machine
Once in a while, a band might get a total makeover, where they change their sound to the point of becoming nearly unrecognisable. The latest band to have this happen is American heavy/power metal band Steel Prophet. I was introduced to them with their 2014 release, Omniscient, which left me with mixed impressions, as musically it was quite a dynamic, varied and complex US power metal album, but it was dragged down by some rather nonsensical lyrics (it seriously had a track called “Aliens, Spaceships and Richard M. Nixon”, for example) as well as a rather inconsistent performance by longtime vocalist Rick Mythiasin. Almost 5 years later, the band is back with a new vocalist, and while the lineup largely consists of longtime members, their sound has changed quite a bit on their ninth full length release, The God Machine, to the point where I can see some longtime fans of the band being disappointed, though for anyone approaching it with an open mind, it’s certainly a thoroughly entertaining album.
Steel Prophet has been around since the early 80’s, and their classic sound was rooted in US power metal, being very raw and hard hitting, while also being quite complex at times, with strong prog elements. The God Machine is a whole different monster, being a mix between a much more modernized power/thrash sound, as well as classic heavy metal. Obviously, the most immediately noticeable change is vocals, with Mystic Prophecy’s R.D. Liapakis taking over the mic, and delivering his usual mix of gritty, powerful vocals, with some more soulful moments on the couple of softer tracks, but even musically, things have changed quite a bit.
The approach to songwriting in particular has changed a lot, with a switch to some much shorter, more straight-forward songs, with less complex arrangements and a less dynamic sound overall. There’s still a decent amount of variety to the songs, of course, with the heavier, speedier tracks generally being the best, but there certainly aren’t any long or more challenging tracks like some of those on Omniscient. This approach works well, though, with all musicians doing a great job, as always, and there’s certainly some excellent thrashy riffs throughout the album, with nods to classic thrash at times, as well as some classic heavy metal galloping riffs and melodic guitar work on some tracks. Obviously, a lot of the changes to the sound were made to help Liapakis fit in, as some of the tracks certainly do remind me of Mystic Prophecy at times, and he sounds as great as always on the album, taking no time at all to settle in and deliver some excellent vocals. Production is top notch, and everything sounds a bit more modern and polished compared to previous releases, which is another big change.
The band wastes no time in demonstrating their switch to more modernized riffs and more simplified songwriting, with the title track kicking things off at a furious pace, instantly launching into some very thrashy power metal riffs, which instantly bring Mystic Prophecy to mind (it most likely is one of the songs written by Liapakis, who split songwriting duties with longtime guitarist/keyboardist Steve Kachinski.) The song has fun verses and a very catchy chorus, and it’s a very fun, hard hitting track overall. Next is another speedy track in “Crucify”, the lead single for the album. It still has a modernized sound to it, though the lead guitars are a bit more melodic during the verses, before getting thrashy again during the chorus. It’s another hard hitting, fast paced track, with its biggest highlight being an extended instrumental section with some thrashy leads and excellent solo work that brings classic Metallica to mind. Next is the slightly slower, though still decently fast paced, “Thrashed Relentlessly”, another track with some great, heavy guitar work. It’s another modern sounding track, with powerful riffs and a strong, melodic chorus, with excellent vocals.
On the slower side, “Dark Mask (Between Love and Hate)” is a very classic heavy metal sounding track, with some nice melodic leads during the verses, as well as a very melodic and catchy chorus. Despite having a classic sound to it, the song still feels more polished and more simplified than most other songs I’ve heard from Steel Prophet, though it’s definitely a great track. Next is “Damnation Calling”, the first of two power ballads on the album. This track at times feels like an Iron Maiden ballad, with how it alternates nicely between very soft passages, and some darker, heavier passages. It opens calmly, before some heavy guitar work kicks in, and from there the song switches seamlessly between heavy verses, and a nice, melodic and very powerful chorus, with a particularly speedy section in the second half being the biggest highlight. After that is “Soulhunter”, my favorite on the album. It has some classic Maiden style galloping riffs, and is a fast paced track, with a mix between heavy riffs and some great melodies, with the chorus in particular having some incredible vocal melodies, as well as being very fun and catchy. The track has a great instrumental section in the second half, as well as an excellent speedy section near the end, which takes it to new heights.
The second ballad on the album is “Buried and Broken”, which starts off with more Maiden style guitar work, before slowing down and turning into a very soft, vocal driven track, only getting heavier during the chorus, and an intense sequence towards the end. It serves as a nice vocal showcase, with Liapakis alternating nicely between soft and powerful vocals. Next is another slower track in “Lucifer – The Devil Inside”. It has some great heavy riffs, as well as a nice groove, and a strong chorus. It has a slight doom metal atmosphere to it, though it does get more upbeat in the second half, with a fast paced and intense instrumental section. It’s a very good track, overall. Next is “Fight, Kill”, which begins with some soft, very epic guitar work, before turning into an excellent melodic heavy metal track, with some fairly fast paced riffs, and another fun, catchy chorus. It has an excellent instrumental section in the second half, and it’s a great classic heavy metal track, overall. Closing out the album is the weirdly named “Love = Life = God Machine” which, despite it’s unwieldy name, is actually a very good track, with more classic heavy metal style guitar riffs. It has a slight hard rock feel to it, with a fairly laid back sound, while still having some great riffs during the verses, which give way to a very melodic and powerful chorus. The instrumental section in the second half especially has a strong 80’s feel to it, and overall the track is a lot of fun, and is a great way to close out the album.
I wasn’t too sure what to expect from The God Machine, as I wasn’t too thrilled by the previous Steel Prophet album I had heard, but the band has made quite a change on this release, switching to a more modernised sound, with some power/thrash elements, while still having strong influences of classic heavy metal, which takeover more and more as the album progresses. The songwriting is a lot more direct and satisfying, and R.D. Liapakis sounds as great as ever, so I think newcomers looking for some fun heavy/power metal are actually more likely to be pleased with this than longtime fans of the band, as I feel this album might be a bit too different to appeal to that crowd. Either way, though, it’s a strong album, and it certainly leaves me looking forward to seeing what the band does in the future.
Written by: Travis Green
My Global Mind – Staff Writer
Travis Green is a Canadian based writer for My Global Mind, with a particular passion for power metal, as well as an interest metal in all its forms.