Released by: Metalville Records
Release Date: October 18th, 2024
Genre: Metal
Links: https://www.facebook.com/Astraldoorssweden
Line Up:
Nils Patrik Johansson – lead and background vocals
Ulf Lagerström – bass
Jocke Roberg – keys
Mats Gesar – guitar
Johan Lindstedt – drums
Joachim Nordlund – guitar
Tracklist:
1. Temple Of Lies
2. Iron Dome
3. Vikings Rise
4. Heaven’s Gate
5. Masters Of The Sky
6. The End Of It All
7. Father Evil
8. When The Clock Strikes Midnight
9. A Night In Berlin
10. A Game Of Terror
Astral Doors has always been a favorite of mine, but unfortunately, I’ve never had the opportunity to witness their live performance. Given the album title, it seems unlikely that I ever will. It’s disheartening when a band celebrating 20 years of exceptional work hints that this might be their final album. I prefer the sentiment “or is it?” as it offers fans a glimmer of hope that this album merely concludes one chapter and marks the beginning of another, hopefully enduring 20 years.
As expected, the music is a captivating blend of power metal, propelled by Nils Patrik Johansson’s vocals, which echo the style of Dio. His lyrics and melodies mirror the energy and passion that Ronnie displayed in his prime.
This is the band’s tenth album, and they show no signs of slowing down or running out of creative material. Tracks like Iron Dome are a testament to their enduring talent, showcasing the melodic and energetic guitar work of Mats Gesar and Joachim Nordlund.
Viking’s Rise adds a touch of Jon Lord’s signature keyboard style, courtesy of Jocke Roberg. At times, the album evokes the Stormbringer era of Deep Purple, highlighting the band’s deep roots in classic rock. While they are firmly established in the power metal genre, their music draws inspiration from the legendary acts of the 70s and 80s, such as Purple and Dio.
The album cover, depicting a dragon attacking the Statue of Liberty, instantly sparked a desire for a cinematic adaptation. The soundtrack, featuring all ten tracks, is already in place, making it a promising prospect. Who doesn’t enjoy a disaster movie, especially one with a title like The End of It All? Perhaps this is a subtle hint from the band that their future lies beyond music, in the realm of fantasy-driven Hollywood films. We can only hope.
Score 8/10
Reviewed by: Adrian Hextall
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