Words and Photos: Kyle Mueller
On Tuesday, April 29th, Arch Enemy’s “Blood Dynasty” tour thundered through Chicago’s historic Vic Theatre, delivering a masterclass in modern metal. Supported by Thrown Into Exile, Baest, and Fit for an Autopsy, the night showcased four distinct yet complementary acts across the metal spectrum. As a relative newcomer to the genre, I discovered a musical realm of impressive technical skill, commanding stage presence, and passionate fan engagement that transcended my expectations.
Thrown Into Exile: LA’s Rising Metal Force
Los Angeles-based Thrown Into Exile opened the evening with commanding intensity. Fronted by vocalist Evan Seidlitz, whose powerful vocal prowess immediately captivated the Tuesday evening crowd, the quintet delivered a concentrated five-song set that demonstrated why they’ve been gaining recognition in the American metal scene.
Formed in 2011, Thrown Into Exile has steadily built their reputation through releases like their self-titled EP and their full-length “Sightless.” The band’s technical proficiency and Seidlitz’s dynamic range have earned them touring spots with established acts like DevilDriver and Soulfly. Their performance culminated in an impressive circle pit—no small feat given the Vic’s multi-level architecture.
Baest: Denmark’s Death Metal Ambassadors
Denmark’s Baest (pronounced “beast”) followed with a performance showcasing why they’ve become one of Europe’s most promising death metal exports. The quintet’s animated stage presence exemplified their dedication to both musical precision and theatrical delivery, with each member contributing to an electrifying atmosphere.
Formed in Aarhus in 2015, Baest has established themselves as standard-bearers of the Scandinavian death metal tradition. Their albums “Danse Macabre” (2018), “Venenum” (2019), and “Necro Sapiens” (2021) have demonstrated their commitment to the genre’s roots while incorporating modern elements. Vocalist Simon Olsen’s decision to descend into the audience and orchestrate a circle pit around himself highlighted the band’s connection with their growing fanbase. Their parting “Skål” served as both cultural signature and promise of return.
Fit for an Autopsy: Progressive Deathcore Intensity
New Jersey’s Fit for an Autopsy escalated the evening’s energy to new heights, bringing their distinctive brand of technical deathcore to an increasingly animated crowd. The sextet’s performance marked the night’s first wave of crowd surfing, a testament to their ability to inspire physical response from their audience.
Established in 2007, Fit for an Autopsy has evolved from their deathcore origins to incorporate progressive elements across albums like “The Great Collapse” (2017) and “The Sea of Tragic Beasts” (2019). Vocalist Joe Badolato’s seamless transitions between guttural growls and piercing screams demonstrated the technical versatility that has helped define their sound. The performance reached its apex when guitarist Pat Sheridan performed their closer “Far From Heaven” while balanced precariously on the barricade—a moment of spontaneous connection between artist and audience that encapsulated the band’s approach to live performance.
Arch Enemy: Swedish Metal Royalty
When Arch Enemy finally took the stage, their decades of experience were immediately evident in their flawless execution and commanding stage presence. Formed in 1995 by former Carcass guitarist Michael Amott, the Swedish melodic death metal pioneers have maintained their position at the genre’s forefront through consistent evolution and technical excellence.
The band’s core—Amott, drummer Daniel Erlandsson, and bassist Sharlee D’Angelo—have developed a synchronicity that only comes from years of collaboration, with newest guitarist Joey Concepcion integrating seamlessly into their well-established dynamic. The band’s ten-album catalog has charted their progression from underground favorites to genre-defining artists.
Vocalist Alissa White-Gluz, who joined the band in 2014 following Angela Gossow’s departure, commanded the stage with undeniable presence. Her distinctive blue hair framing a performance that showcased her remarkable vocal range—from guttural death growls to pristine clean vocals. The seventeen-song set featured impressive renditions of new material, including live debuts of “Dream Stealer,” “Blood Dynasty,” “A Million Suns,” and “Liars & Thieves” from their latest release.
For someone experiencing Arch Enemy for the first time, the performance offered a compelling introduction to their catalog and an appreciation for their musicianship. The band’s ability to convert newcomers while satisfying longtime fans speaks to their enduring appeal and the continued relevance of their musical vision.
Arch Enemy line-up:
Alissa White-Gluz – Vocals
Michael Amott – Guitars
Joey Concepcion – Guitars
Sharlee D’Angelo – Bass
Daniel Erlandsson – Drums
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