Interview by Mark Lacey
When Thunder played their sold-out show at Wembley Arena in May 2022, it marked another pinnacle moment, for a band whose music, and live performances across 33 years, coupled with their unique relationship with the fans, has cemented the band as one of the most adulated that the UK has ever produced. The future had no boundaries, however, just a few months after the show, Danny would suffer an unexpected brain injury on a night out with friends, changing his life overnight, and putting a question mark over Thunder’s very existence.
During the darkest periods of the last 2 ½ years, the band have maintained that they would give Danny all the time he needs to recover, and fans too have remained steadfast in their support and affection. And so, news of Danny’s return to the stage, albeit for 8 ‘Maximum Chat’ shows in June, feels like a giant leap forward – and unquestionably the first major step in his return to the live circuit.
Like his previous speaking spoken word endeavours with ‘Danny & Ben’, and ‘Danny & Luke’, these shows are likely to unpredictable, unscripted, and thoroughly entertaining … even without the kazoo.
Danny Bowes speaks to MyGlobalMind.com
MGM: I know this is probably the question you’re asked the most, but I feel I should maybe start by asking you this. How are you at the moment? You’re a couple of years into your recovery, and this is the question everyone wants to know the answer to. How are you getting on?
Danny: How am I getting on? I can give you the long answer. I can give you the short answer. I’ll opt for the shortest one I can manage. And the reason is because there’s a lot of it, and it’s very dull living it, and it’s even more dull talking about it. So, all I will say is, I’m doing okay. I’ve been better, but a couple of years ago, I was a hell of a lot worse. So, I’m okay sitting down, which is good, because if this was an interview standing up, it would be a very different interview. Standing up, not so good. I don’t really have that brilliant a balance. It was all caused because I had a stroke, and then I fell down a flight of stairs and hit my head afterwards. And the problem was that they operated on my head thinking I just fallen down some stairs drunk. And I wasn’t drunk, but the stroke that I’d had was directly behind the wound on my head. So, they didn’t know that I had a stroke initially. So, it only revealed itself later as time went by. But it’s quite interesting, though, because based on what I’ve learned about what happened, there’s a thing that they do where they test your reactions. They call it the Glasgow Coma Scale when you have a traumatic brain injury. And my score was about the lowest you could be and still be alive. Because that was the case, and my wife, bless her, who was by my side the whole time and absolutely brilliant; she learned, subsequently, that if you get a score that low on this Glasgow coma scale, they don’t expect you to live. Most people don’t live. And because they don’t think you’re going to live, they don’t look after you very well. It makes sense, doesn’t it, really? But it explains quite a bit. So luckily for me, I defied the odds and didn’t die. Shocking, that sounds. I think they did say to my wife a couple of times; you should probably say goodbye because he’s not probably going to live. But I’m going to prove them wrong. Ha ha. And then began, I think about three weeks later when I came round, then began the very slow process of trying not to fall out of bed because I got no balance. Every time they left me in the bed, you don’t notice this, but when you’re in hospital, the beds are arched. If you sit in the middle, great. If you sit to one side and you’ve got no balance, you end up falling out of bed and hit your head, which I did a lot. Every time my wife came to see me, she would say, you hit your head again today, didn’t you? So, I said, how do you know that? She said, you’ve got a new bruise. But I didn’t have any balance. I didn’t have any what they call save reaction either, which meant that although I knew I was going, I couldn’t stop myself. So, it was long, it was painful. I might to learn to walk again, which in itself was quite complicated. And now, almost three years later, I can walk for a couple of miles. Not well. I still look a bit like the drunk bloke you’d cross the street to avoid, if you know what I mean. But it’s better than it was. I can’t speed it up. I wish I could, but I can’t. And it’s just very boring because you can’t hurry a brain injury. That’s what they said to me. I didn’t believe them, but I subsequently realised that they were right. It just happens the way it happens.
MGM: You got asked about your health a lot, so I’m desperate not to focus wholly on that, not least because it’s not the only thing that defines you. But it sounds like you obviously had quite a tough time, and you talk about the support of your wife, but that must have been to know that you could have died and that you pulled through, that must provide you with a real opportunity to pause and reflect on what you’re doing with your life at all, I suppose.
Danny: Well, I think there’s a certain amount that goes on. I’ve never really been much of a naval gazer. I spend most of my time going forwards. I don’t really think too much about what’s happened before or whether I feel lucky or not. I mean, I’ve had my dark days while I’ve been dealing with the things that go on because I get very frustrated with myself because I can’t do the things that I used to be able to do. It’s strange because although I know I had a life before I fell down the stairs and had a stroke, I can’t actually remember what it feels like to feel like that. I can only remember what it feels like to feel like this, which is less than I was before. That’s the only way I can describe it.
MGM: Well, different to what you were before.
Danny: Yeah, well, I’m definitely less. I’m not the man I was. I’m nowhere near as capable. My brain skills; I’ve definitely taken a bit of a dent there. My ability to understand things, voice my thoughts is much diminished. There’s no doubt about that. But it could have been so much worse, and that’s the thing I like to focus on, and getting better. I am very, very determined that they will not be proved right. It will take you years and years and years to get better. I’m not interested in that. Not one iota. So that’s the motivation to get up in the morning. I’ve got to be better today than I was yesterday.
That’s the right attitude. Well, I’m really pleased to see that you’ve got the opportunity now to go out on the road. We started out by saying that you’ve got these eight shows coming up in June, billed under the ‘Maximum chat’ banner. I think this will be the first time that many people have seen you in public, if you like, apart from that little thing you did at Planet Rockstock last year with Luke. But this will be the first time you’ve been out, I think, since the last show you played in 2022. I remember being at that Wembley show, which was phenomenal. Is this the first time that you’ve gone out and done a show on your own? I know you’ve done speaking stuff with Ben, and you did the Danny & Luke thing, which I also remember going to see it in Camberley.
Danny: I did two tours with both of them. I did Ben in 2012 and 2013, and then I did the two tours with Luke in 2019 and ’21. And both, I have to say, were hugely enjoyable. Very different to Thunder, but hugely enjoyable. I think it must be something to do with the fact that as you get older, you want to do the things that you’ve never really had a chance to do before. And so, you’re always looking for a way to break new ground. And having done it with Ben, and it was absolutely hilarious, I must say. It was a bit like being in Morecombe and Wise, where I was trying to be Ernie Wise and keep it on the straight and narrow. Benny was doing his best to mess it up every night. I did wonder, because it worked in a way, I did wonder whether or not it would be different with Luke because it was a different promoter, specifically wanting me to do it with Luke. It was a concern for me because Luke is… I know him, he’s my best mate. I’ve known him for many, many years, and I know he is absolutely hilarious. But I think because he creates the music, I think he tends to be quite precious around it, and he’s precious about the way that the band portrays the music when we do our thing. And I don’t blame him for that. I don’t think I would be anything like as relaxed as he is about it if I did it. But I don’t. And so, I have a completely different attitude towards it. For me, I don’t make the music. I don’t feel the way he does about it. And if truth be told, I see myself as a bit of a clothes horse. I mean, he gives it to me. He says, do this. We’ve been doing it a long, long, long, long time. So, I know what he’s thinking. When he says to me, this is how I want it to go, I say, yeah, all right, then. And I do it. I say, is that it? And he’ll say #, yeah, that’s it. So, it’s quite easy. I say, easy in that regard. They’re absolute bastards to sing because he never wrote an easy one in his life. I’ve said it to him so many times over the years. Just give us an easy one. Every once in a while, an easy one, it wouldn’t do you any harm, would it? But he can’t do it. He just writes the ones that want to kill me. And the audience seemed to love them as well. So, I’m destined, I’m afraid, to kill myself most nights. But, yeah, it’s just the way it is. So, I did wonder whether or not he would be able to do it, but I was wrong because he took to it like a duck to water, and he loved it. Absolutely loved it. And he was very, very funny; completely different to Benny, but really, really good. So, it worked very, very well. So, I am very determined that I’m going to do this one. I wanted to do it because I’ve spent all my adult life on stage, so the idea of not being on stage felt very alien. And last year, when I went to see the promoter, I said, I’ve had this idea. I can’t sing at the moment. I don’t know when I’m going to be able to sing again, but I can still speak. And if I can speak, then I’m sure that given the right occasion with the people in front of me, I will be able to shine brightly and do my thing. And he said, all power to him, he said, right, if that’s what you want to do, we’ll do that. And it was as easy as that. I mean, it was a very short conversation.
MGM: Are you expecting these shows to be scripted, or are you going to just go with the flow with the room on the night?
Danny: I’ve got some ideas. I had to have some ideas in order to have the conversation with a promoter at the beginning. Because people know me as a singer, so the idea of going on stage and not singing is, I think, quite alien, not only to me, but also to the people who I’m asking to buy a ticket. And I think I said it once before, if they want me to sing and play the guitar, then they’ll all want their money back. So, I’ve got I got to come up with stuff. So, I’ve got ideas, but I haven’t got a script. I won’t have a script. I’ve never written a script for anything in my life. And I will basically take the ideas along with me, and then I’ll just try stuff out every night to see what goes on. And there might be some commonalities over the course of the tour, some show to some show, maybe similar. But I’m not concerned about it. Well, apart from the fact that I’m shitting myself.
MGM: Well, I was going to ask you how you feel about the idea of getting on stage on your own. I mean, that’s probably the equivalent of being naked in a room, especially as you’ve already talked about how your balance is not there. So, I think it’s a huge confidence thing for you, I imagine, to walk out on stage at all and then to be someone’s entertainment for an hour and a half just solo on the stage … that’s going to be quite a nerve-wracking moment. How do you prepare for that?
Danny: You’re making me worry about it now. I was working on the assumption that everything would be okay. And now I’m very, very concerned. So, thanks, Mark. It’s been nice to talk with you.
MGM: I’m here to support you. But how do you prepare for that? Are you going to do a dry run with some of your close mates, invite them around for dinner and entertain them for an hour and a half?
Danny: I can’t imagine that would be entertaining for them. I imagine they’d be bored to death. I think my friends haven’t heard all my stories, but I’m sure they’ve heard loads of them. I do plan, actually, to ask the audience if they’ve heard this one. If you have, put your hand up. If enough of them put their hands up, I’ll tell a different story. And if they haven’t, or there’s not many of them, then I’ll say, well, too late, there’s not that many of you who’ve heard it, so you’ll have to put up with it.
MGM: Your career has been really diverse. A lot of musicians have just played music, but of course, you’ve played in all these different bands; from Nuthin’ Fancy and Terraplane and Bowes & Morley and Thunder, and you’ve done loads of session work, but you’ve also been on the other side of the fence. You’ve been a band manager and you’ve been an agent. You’ve been doing your DJing with Planet Rock. I gather at one point, you also worked in the trade. You’ve got your hands dirty doing a proper job. How were you focus your thoughts on the show? Were you focused on that career journey where you talk about the characters you’ve met or were you just talk about the quirks of life? How are you going to approach it?
Danny: Well, I will tell you, I’m not going to tell you. And the reason is, I’m not trying to be cryptic-
MGM: Because you don’t know.
Danny: Because I don’t know. You’re absolutely right. I’ve got no idea. I’ve got some ideas. I had a very interesting childhood. This was ’60s and ’70s when health and safety wasn’t invented and there were no social services, or if there were, they didn’t get to me. So, it was fairly eventful. There were a lot of things happened to me. And I haven’t really told many of those stories before because I didn’t really think it was worthwhile doing. But to be honest, I think some of them are quite funny. So, I will talk about some of those. And I’ve made no secret in the fact that I’m going to do my level best to try and leave out some of the blood because I don’t want people to be sick during the show. But it will be okay. I think it will be okay. There’s a lot of stuff that happened before I was in the band. I’m sure there’s lots of stuff that people want to know about once I was in a band. I’m just going to try and focus on some of the lesser-known stuff so that I can enlighten some people rather than just go over things that they already know.
MGM: I think it’s been fascinating seeing some of the other speaking tours that have gone on over the last couple of years. And of course, your sparring partner, Spike, has been out doing his stories. I often wonder if he has to ask permission from the people, he tells stories about because he definitely spills the beans on a lot of people.
Danny: I don’t think Spike gives a monkey’s. I really don’t think he cares. I mean, he’s one of the nicest men and the funniest people I think I’ve ever met in my entire life. He told me, no word of a lie, he told me the funniest joke I’ve ever heard. I laughed so hard; I thought I was going to pee my pants. Took him 20 minutes to tell me this joke. I’ve tried to tell it, and I can’t do it anything like as well as he does. Honestly, it’s not even that funny. But the way he told it basically destroyed me.
MGM: Well, I’m really pleased to see that on this tour, you’re going to be playing some really great venues. Actually, I was looking on the list and you’re back playing at Bush Hall. The last time I saw you playing Bush Hall was with the Danny and Ben show. I remember at the end of the night, your daughter got up and sang, if I’m not mistaken.
Danny: She did. We did a version of ‘Make You Feel My Love’, the Bob Dylan tune that Adele made famous. And she sang on that with me. And I have to say it was a very proud, very proud moment. We also had; I don’t think it was that tour. It might have been that tour. But we had a girl we know called Jo who plays cello. Did she play that show as well?
MGM: I don’t think so. I remember a lot of Cazoo playing though.
Danny: Oh, right. There was kazoo on the first Danny & Ben tour, I remember. Well, it’s because Thunder wouldn’t let me do it. I just thought, I’ve got to find a way to get it in there. But Jo played the cello on the recording that we did, and I don’t know whether she played it on that first tour, but I know she played the cello on the second tour. I remember the London gig was somewhere on the Euston Road, and it was a great show. Jo played, Lucy got up and sang again, and made me a very proud dad, both times.
MGM: There must be something in the genes to be able to sing like that.
Danny: Yeah, it must be. It’s weird because we’ve got three kids. The eldest; she’s very funky, very groovy, but she can’t sing, and she wouldn’t mind me saying that. Our youngest is very funky, very groovy, and probably will never sing, but he’s probably the most gifted of the three. He could play anything if he wanted to. He could sing anything if he wanted to. He could dance like a bastard. A sickeningly talented boy, but no interest at all. He’s got no interest at all in that, which I think makes it safe for the rest of us, probably. But then our middle one, she sings great. She went to music university, and did a degree in singing. I remember when she went along; she had a bit of a problem with her voice in the early stages, and she had to get some voice therapy to get it sorted out. And I drove her somewhere while she was being assessed, and they taught her some techniques. When we drove away, I remember thinking to myself, this girl is so lucky because she’s getting the advantage of so many of these arrows in her quiver. Things that I never had. I just basically shouted my head off and people clapped. So, I just kept shouting my head off even more. So, everything I’ve learnt, I’ve learnt through trial and error, and there’s been a certain amount of pain involved.
MGM: Did you have musicians in your family when you were growing up?
Danny: Well, my dad was in a band for about five minutes with his two brothers, but my dad really wasn’t a team player. He was a real individual, and I don’t think he suited him to be in the band. He could hold a tune alright, but he didn’t stay in the band very long. I’ve got a photograph of him and his two brothers in the band rehearsing in my downstairs toilet, and I like to sit on it while I’m contemplating my navel every now and again. Just sitting there.
MGM: I think I’ve mentioned that you’re playing in Bush Hall, and I also see that you’re playing at Band on the Wall in Manchester. Have you been there before? That’s quite a beautiful building.
Danny: No, I’ve never been there before. I’ve done most of these shows before. But, Band on the Wall, I haven’t done. I think the rest I have done.
MGM: Is there anywhere that you’re particularly looking forward to going back to? You said you’ve been to some of these places before. Presumably, some of these places you’ve played in the past were when the bands you were playing in were still working their way up?
Danny: I think, I’ll be honest with you, I think we did all of these venues with the exception of the Manchester one, when I did the Danny & Ben tours. I forget which tour it was. Certainly, Glasgow, I know we did. I remember that very clearly because it was pouring with rain when we went in there, and pouring with rain when we came out as well, and we were trying to get the gear out without getting wet. I think I’ve done them all, with the exception of Band on the Wall. But if you say it’s a nice venue, then I’ll believe you, and I just look forward to it even more. I love being in nice venues.
MGM: Let me go back and ask you a couple of things about your career. I’m hoping that you’ll give some perspective on your journey while you’re on the road, and that you’ll talk a bit about your career path. You’ve bridged that both sides of the industry because you’ve played as a musician, but you’ve also been there as an agent and as a band manager. Did your career take the path you expected, or did you just take the opportunities as they came along?
Danny: Even when we were in Terraplane, we had a manager, but I was always very interested in the business; why things were done the way they were done. Luke, thank Christ, was always really interested in how the music was made. I, not so much. I was much more interested in where the money came from and why decisions were made to do things the way they were done. So, we would sit in meetings with a lawyer talking about what was going on and the plan and the rest of it. And then when the meeting broke up, the rest of the band would go, and I would just sit with the lawyer afterwards and ask him questions. Why this? Why that? Why the other? People do this, so why are we doing this? Those are the kinds of things I was interested in. So, it just felt like a natural progression to me to gravitate towards the other things that people did. I always worked on the assumption that the more you know, the more useful you are, and the more useful you are, hopefully the more chance you’ve got of turning a coin, so to speak. And that was it, really. That’s part of the reason why I ended up becoming an agent when Thunder stopped for a bit, purely because I had a great relationship with the agent that used to book our band, and he offered me a job. I was just at that point where I was running our own label, working pretty much all hours of the day, since 2008, and I was just about at the end of my tether. I thought, if I don’t have a heart attack, it would be a miracle because I’m just working way too hard. So, in the end, when he offered me the job, I thought, maybe it’s time to hang the mic up. So, I did, and then I discovered, I hated being an agent after about six months. So that never really worked out the way I hoped it would work out. Although I thoroughly enjoyed the process, making the deals and looking after the bands. I always felt very chuffed that you would conceive something, sell it to the people you need to sell it to, and then see it come to fruition. When the audience is in, they’re all clapping their heads off, and the band are having a great time and enjoying themselves afterwards; you can sit in the bar and think, I did all this. This is great. I loved it. That’s always been my main source of satisfaction, knowing I could conceive something and then put it on the table and people like it.
MGM: Are you still actively doing that? Or will you go back to doing that?
Danny: I’m not doing it so much at the moment. I’ll be honest with you; my mind is pretty much focused on my recovery. I still look after the day-to-day stuff from Thunder. There was another guy who used to help me do it, but COVID did for that for him really. He got pretty sick with COVID and then pretty much had to retire, which was a shame because he was a real asset. But then life changed, and post-COVID, everything changed anyway for everybody. So, the band business changed, and then, of course, I fell down the stairs and my whole reason for getting up in the morning changed completely. So, I still do some stuff for Thunder. It’s not as much as it used to be, but that’s while we wait for me to come back and be able to do my thing. I’m working on it. It’s proving to be a lot slower than I’d like, but I can’t do anything about it, so there’s no point beating yourself up.
MGM: I was looking at how you’re billing the show, and you talked about how you’re going to tell stories and so on, but you’re going to open up part of the show to Q&A. That’s also quite a brave move. And of course, the question that everyone is going to ask you repeatedly on the tour is, when are you going to play with Thunder again? When are you going to sing again? And you may not know the answer to that question. In fact, I’m pretty certain you won’t know the answer to that question, but you’re going to get asked it a lot. Have you thought about how you’re going to respond to those questions?
Danny: No, I haven’t thought about it. I don’t feel I really need to. I mean, for me, it’s really very, very simple. The soonest that I can get back on stage or in a studio and sing again and perform again, I will do it. That’s my focus every day. But the answer to the question is a very short one because I just don’t know. And they’ve all told me over and over again; you cannot hurry a brain injury. It’s not linear. It’s so strange because you think to yourself, I’ve just done that. It might be something really insignificant. And you think to yourself, I just did that. I couldn’t do that yesterday. Hooray, I can do that. And then the next day, you get up and you can’t do it again. You think to yourself, oh, the irony of this situation. It might be two weeks later that you get to do it again. But it’s almost like when you do things, and you can do them, you don’t even have to think about You’d be amazed how many things you do unconsciously. Whereas when you go through the cobblers that I and a lot of other people like me have been through, you have to think about every single thing you do. And that’s very, very tiring. The fatigue plays an enormous part in what goes on.
MGM: So, after this tour, you’ll finish these dates towards the end of June. have you thought about what happens after that? If it goes well, do you hope to do more of that kind of work? Maybe ask the networks for your own TV channel? You could be the new Wogan, if you like.
Danny: Ha ha; that’s the funniest thing I’ve ever heard. No, I’m not thinking beyond June. I’ve booked a holiday. I’m going to go away with my family, but beyond that, not a great deal. If it goes well, who knows? It will be nice to be able to think that it did well enough, people enjoyed it enough, and I felt good enough about it to want to repeat it. But I can’t say. I’ve got no idea how it’s going to go. Ask me in July.
MGM: Well, one of the things I’ve always loved about you and the rest of the guys in Thunder is just that connection that you have with your fan base. People always feel that they know you, and that must be quite tiring as well, that everybody that meets you thinks of you as like their long-lost pal. But you’ve built that connection, so I’m expecting people to come to those shows in the right spirit to wholeheartedly throw themselves into it, and really love it. And the clamour to have you come back out again, I’m sure, will be there. So, yeah, hopefully that’s the reaction you get.
Danny: Well, I hope you’re right. I really hope you’re right. With regards to building the connection, it’s not something that we try. We’ve never done it. We’ve always been very, very normal; very determined to make good music, to make good live shows, and not take the audience for granted. We’ve always worked on the assumption that the audience has plenty of choice, so if they don’t spend their money on our record or our ticket or whatever it is that we’ve got to sell, they can spend it on someone else’s. And so, if you’re going to get that loyalty out of people, you’ve got to earn it. So, it’s got to be good records, good covers. Just make sure that all of those things add up. When you do a show, if you don’t feel like it, then just try harder. It doesn’t matter whether you feel like it or not. You’re not the reason that everybody’s there. You’ve got to do it and make them want to come back again. Our old manager, millions of years ago …. our first proper manager; I remember him saying to me once, “Opportunities are very difficult to get, so when you get them, you need to grasp it wholeheartedly. You want to come off stage at the end of the show feeling like you’ve made a difference. You don’t want to be the tree in the woods”. So, I said, what does that mean? And he said, “There’s an old adage that says, if a tree is in the woods and it falls down, if there wasn’t anybody there to hear it, did it fall down? Does it matter”. And I thought to myself, he’s probably right. I don’t want to be the tree in woods. I want to make sure that when I am finished, everybody is as exhausted as I am. If they’re not, I failed. And I’ve always done it. I’ve always had that pathologically built in. And I don’t know whether I’m going to manage to do it on these shows in June, but I’ll give it a go. See what happens.
MGM: I, like many other people, will keep everything crossed that at some point we’ll see you back out on stage singing with Thunder again. But if we don’t see you back out singing with Thunder again, what a way to go out. Your last show with the band was at Wembley Arena, it was sold out. I think I’ve got that right. I was definitely there.
Danny: That was the last UK show. The last show we actually played was about six weeks later. We played Hellfest in France. That was the final show that we played.
MGM: I refuse to let the French have the last Thunder show. You’ve got to come back, Danny.
Danny: Damn those French. No, no, no. I mean, honestly, it was a brilliant show. It was an absolute cracker. The audience was brilliant. We had a really good day, hung out with some really cool people, and brilliant weather, great show, nothing to hate. Everything about it was just really, really good. Benny was a bit poorly; because of the nature of the way he’s been left since the second bout of cancer, he suffers a bit like me from fatigue. We had to do five festivals, and the first one and the last one were like, fly in, do them, go home the next day. So, they were fairly straightforward, self-contained. But the three in the middle were back-to-back, and there was a lot of travel involved and fairly gruelling. I remember talking about it with the tour manager, and I got together with a band and said to Benny, I’ve got a feeling you’re not going to be up to this. And he said, what is it? And I explained how it was going to work. He said, Yeah, what do you want to do? So, I said, well, I’m thinking maybe we’ll have to get somebody else in to impersonate you for three shows. And he said, so how does that work for me? So, I said, well, you sit indoors and watch the telly, and then we go out and do the shows, and then when we come home, we give you some money. He went, alright, I’m in. And that’s basically how we did it. We got another guy in called James who, I have to say, did a sterling job. Straight after Wembley, we had to go in to rehearse with James, I remember, and just smash out the tunes so that he was ready to go. I remember talking to Benny afterwards, and he was saying, so how did the rehearsals go without me? So, I said, well, I have to say it was really, really good. And he said, so what are you saying? We just knocked it about. We’ve never taken ourselves very seriously. We’re serious about the music, but never really serious about ourselves. And I think that hopefully comes across.
Danny Bowes ‘Maximum Chat’ tour will run from 1st – 11th June across the UK
1st June 2025: The Junction 2, Cambridge
2nd June 2025: Komedia, Brighton
4th June 2025: Bush Hall, London
5th June 2025: Band on The Wall, Manchester
7th June 2025: Òran Mór, Glasgow
8th June 2025: Memorial Hall, Sheffield
10 June 2025: Glee Club, Birmingham
11th June 2025: Glee Club, Cardiff
Tickets available from: www.thunderonline.com/gigs
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