Frontiers Records

  • Uriah Heep – Chaos And Colour Review

    Uriah Heep stepped in at the last minute to headline last year’s Stonedead Festival and at that particular time they were in the middle of recording ‘Chaos And Colour’...
    January 13, 2023
  • Nevena – Nevena Review

    This is classy AOR of the highest order.
    December 7, 2022
  • Orianthi – Rock Candy Review

    Orianthi has once again delivered an album of the extra class. Not only every note is spot on. Rather, it is the good sense of the great melody lines...
    October 21, 2022
  • Perfect Plan – Brace For Impact Review

    For a genre that can get a lot of flack often, you have to keep things moving to stand out and Perfect Plan does just that with a resounding...
    October 18, 2022
  • Chez Kane – Powerzone Review

    British newcomer Chez Kane is certainly one of those artists, having already a breakthrough debut album released in 2021, many in the scene we're looking forward to the sophomore...
    September 28, 2022
  • Stryper – The Final Battle Review

    I also feel like there is an almost musical return to their roots, tapping into a darker, classic metal sound, and perhaps even hinting at the Against the Law style musically...
    September 15, 2022
  • Sunstorm – Brothers In Arms Review

    Ronnie Romero is certainly one of the busiest singers these days. He was a part of the recent Michael Schenker Group album, released a solo record, and not forget...
    August 10, 2022
  • Nordic Union – Animalistic Review

    The first time I heard the voice of Ronnie Atkins was back in 1984 when I listened to ‘Cold Killer’ from Pretty Maids. No doubt, the guitars impressed but...
    August 2, 2022
  • Cleanbreak – Coming Home Review

    This new project with former Quiet Riot vocalist James Durbin was something of a surprise when we took some listens. Not saying I was shocked by his vocal range,...
    July 23, 2022
AMON AMARTH – THE GREAT HEATHEN TOUR WITH CARCASS, CATTLE DECAPITATION AND OBITUARY OBLITERATE THE HAMMERSTEIN BALLROOM, NYC ON DECEMBER 1ST, 2022
MGM Archives
  • Dark Sarah – Attack of Orym Review

    Compared to the previous two albums I've heard, Attack of Orym has a much more electronic-flavored sound to it, sometimes going for a more trance-metal-infused sound with light power...
    January 27, 2023
  • Twilight Force – At the Heart of Wintervale Review

    Stylistically, Twilight Force has evolved in ways that very much reflect what Rhapsody themselves went through over the years, starting as a fun, simple fantasy-themed power metal band with...
    January 23, 2023
  • Riverside – ID.Entity Review

    Riverside started in 2001 and hails from Warsaw, Poland. The progressive metal outfit premiered with ‘Out of Myself’, an album that was independently released and led to a deal...
    January 20, 2023
  • The Winery Dogs – III Review

    Kotzen kick things off with impunity, as Portnoy and Sheehan comply to the addicting beat with a master-class instrumentation performance. The chorus here is super catchy and stands out...
    January 19, 2023
  • Jared James Nichols – Jared James Nichols Review

    Unfairly lumped in with the young bluesmen like Laurence Jones, Joe Bonamassa, etc Jared James Nichols is so much more. Yeah, his music is blues based but in the...
    January 17, 2023
  • Uriah Heep – Chaos And Colour Review

    Uriah Heep stepped in at the last minute to headline last year’s Stonedead Festival and at that particular time they were in the middle of recording ‘Chaos And Colour’...
    January 13, 2023
UA-20474228-2