Released by: Marshall Records
Release Date: August 25th, 2023
Genre: Blues Hard Rock
Laurence Jones – Guitars/Vocals
Jack Alexander Timmis (Virgil & The Accelerators) – Bass
Ash Sheehan (Glenn Hughes, Tony Iommi, The Twang) – Drums
Bad Luck & The Blues
Don’t You Leave Me This Way
Lost & Broken
Stuck In The Night
Out In The Distance
You’re Not Alone
A more weighty Laurence Jones results in a powerful Laurence Jones. The blues genre has a dedicated following and a profound legacy within the history of rock music, influencing numerous established and emerging artists. However, the music can sometimes grow stagnant, prompting enthusiasts to seek out more energetic and emotionally charged rocking tunes, leading them to explore the heavier blues subgenre.
In “Bad Luck & The Blues,” Jones noticeably amps up the intensity. It’s clear that this album marks a departure from his previous works. The distortion is thicker and dirtier than ever before, his vocals carry a newfound aggression, and his guitar tone remains impeccable. This progression is a positive development. While Laurence is already a skilled guitarist, this album demonstrates his advancement into more dynamic and robust musical territories. The return to a power trio setup has notably enhanced the overall sound.
The album’s title track sets the tone with its gritty groove and standout guitar tone, serving as a precursor to the rest of the record. “Lonely Road” showcases Jones’s melodious prowess, featuring soaring guitar licks and solos that strike a perfect balance between catchiness and groove. The opening riff of “Take Control” momentarily channels an old-school Black Sabbath vibe before transitioning into a high-octane, captivating progression, which remains a personal highlight. The soulful intensity of “Out In The Distance” evokes nostalgic echoes of classic Hendrix, while the impeccable drum work adds depth to the track.
Throughout the album, elements reminiscent of other notable up-and-coming artists in the Blues Hard Rock scene, such as Jared James Nichols, can be discerned. While Jones acknowledges his early influences, including Gary Moore and Hendrix, he also incorporates contemporary elements drawn from bands like Queens of the Stone Age and Royal Blood. It’s no surprise that he cites the legendary Robin Trower as a reference point for this record. Recorded at The Marshall Studio, mixed by Chris Sheldon (known for his work with Jeff Beck, Foo Fighters, and King King), and mastered at the renowned Abbey Road Studios by Christian Wright (noted for his contributions to the works of Jack Bruce, Robin Trower, and Ten Years After), the album boasts an immaculate sound, as anticipated. This underappreciated gem deserves more attention. Make sure to give it a listen!